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Balnea: the pottery assemblage from the piscina calida of the Suburban Baths in Pompeii – The Suburban Baths lie on a natural slope just outside the city walls of Pompeii and were covered only partially by the volcanic debris of the AD 79... more
Balnea: the pottery assemblage from the piscina calida of the Suburban Baths in Pompeii – The Suburban Baths lie on a natural slope just outside the city walls of Pompeii and were covered only partially by the volcanic debris of the AD 79 eruption. Afterwards, the building was visited probably already in the 2nd c. AD – as the spoliation of the nymphaeum suggests – and surely from the 4th to the 18th c., as the pottery and tunnels prove. The site was fully excavated and restored in 1985-88, but only a handful of potsherds have been published so far. This contribution describes the pottery assemblage from the piscina calida (room 2), it provides percentages of the pottery classes and their main types. The majority of the fragments are dated to the Augustan-Tiberian period and seems to be related to the use of the baths, while a smaller amount is of a later period and suggests that the baths were under restoration. No post-79 potsherds have been found in this room.
The ancient Campanian plain, which the ancient sources labelled as felix, and the wide bay in front of it (from Punta dell’Epitaffio to Punta della Campanella) celebrated by Cicero as the crater idle deli- catus, in antiquity were the... more
The ancient Campanian plain, which the ancient sources labelled as felix, and the wide bay in front of it (from Punta dell’Epitaffio to Punta della Campanella) celebrated by Cicero as the crater idle deli- catus, in antiquity were the places of preference for settling villas.
The Italic farmhouse started changing into the “otium villa” from the early second century BC and by the beginning of the first century BC is widely spread, following the expansion of the Roman Empire. This cultural phenomenon has been widely investigated from the fifteenth century AD and is still flourishing since at least three centuries, as consequence of the numerous excavations which since the mid-eighteenth century take place in Campania.
Despite the proper historical and archaeological methodolo- gies used so far, the extant scholarship still lacks a comprehensive
definition of this interesting cultural phenomenon. This contri- bution reviews the formal values and the functional aspects of the coastal villa of Campania in light of the most recent excavations and studies, namely for Villa Arianna in Stabiae, the Villa of the Papyri in Herculaneum, and the Villa of the Mysteries in Pompeii, in order to highlight to what degree these buildings were built with innovative architectural models. In particular, it argues that they were the result of a fusion between the Hellenistic tradition and the Roman innovation, as paralleled by the cultural revolution which was ongoing and gener- ally defined as luxuria asiatica.
Lastly, the monuments here described reveal the necessity of the ancient owners to connect their villas on top of the hills to the adjacent sea, creating in this way not only a link between coast and cultivated land, but also a rational view of the terraces which en- hanced the views over the bay.
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The aim of this paper is to identify the geo-morphological development and the changes in the coastal morphology of the ancient Herculaneum, through a comparative analysis of the eigh- teenth-century cartography, literary sources and the... more
The aim of this paper is to identify the geo-morphological development and the changes in the coastal morphology of the ancient Herculaneum, through a comparative analysis of the eigh- teenth-century cartography, literary sources and the most recent archaeological data. This exam allowed us to suppose that only during the Early Imperial period Herculaneum had lost its features related to the oppidum founded at the beginning of the 1st century BC, at the time of the Social War. It became a polichne where people especially practised seafaring and fishing activities such as a large amount of archaeological items discovered
seem to demonstrate.
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The north slope of the Somma-Vesuvius complex is archaeologically still little known. Archaeological and volcanologic field research at a site in the town of Pollena Trocchia offers new data for understanding the burying process of the AD... more
The north slope of the Somma-Vesuvius complex is archaeologically still little known. Archaeological and volcanologic field research at a site in the town of Pollena Trocchia offers new data for understanding the burying process of the AD 472 eruption and following eruptive events. So far seven rooms of a Roman building have been brought to light, which probably date to the 2nd/3rd century AD. The building consists of two storeys. The floors and the collapse of peripheral walls are the only remains of the upper floor. The lower storey was already severely damaged and spoliated before the AD 472 Vesuvian eruption which buried it. The exposed burial sequence is constituted by 7 stratigraphic units interlayered with paleosoils. Four units are exclusively composed of pyroclastic deposits deposi- ted during an explosive eruption. Three units are formed by volcanoclastic debris deposited during either the final phases of the erup- tion or sometime afterwards. The stratigraphic and lithological features, and the archaeological evidence correlate some of these strati- graphic units with known Vesuvian eruptions. In particular, the thick basal sequence that buried most of the building is associated with the reworking of pyroclastic deposits on the north side of the volcano during the last phases of the AD 472 eruption. The structures placed on top of the volcanoclastic deposit testify to a later phase of life, which was quickly interrupted by a subsequent eruption (pro- bably that of AD 512). The whole area was subsequently completely abandoned and covered by volcanoclastic and volcanic debris throughout the following centuries. The stratigraphic sequence attests the impact of secondary events (lahars) as the main cause of destruction and burial of the Roman building.
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In 266 years, from its discovery occurred in 1748 until today, Pompeii experienced major cultural and historical circumstances, like the transition from art history to archaeology, the WWII bombing, the first experiments in restoration.... more
In 266 years, from its discovery occurred in 1748 until today, Pompeii experienced major cultural and historical circumstances, like the transition from art history to archaeology, the WWII bombing, the first experiments in restoration. Like in a living organism, these events marked and changed the ancient city, bringing it to the complex state we witness today.
This paper offers a comprehensive picture of the architectonic restoration led by the author on roughly one fifth of Pompeii (17 city blocks) over 15 years of activity, describing the typology of problems faced, the methodology adopted for the restoration, what kind of organisation and planning was used, and how its resurgence might be useful to fix the issues that the city is experiencing in the last few years.
Among the problems, there will be described those caused to walls and roofs by the restoration techniques in use from the early 20th century to the 1970s, the current threats to the houses at the borders of the unexplored areas, and the drawbacks of the current myopic emergency “patchings” (as opposed to systematic mid-term plans).
The restoration model used by the author and here described takes each city block (i.e. not the individual house) as consistent unit to restore and applies modern materials and technologies  compatible with the ancient masonry. The examples provided include the most complex – and still perfectly preserved – buildings in Pompeii, like Casa del Giardino di Ercole, Casa del Menandro, Casa del Citarista, and the Terme Suburbane.
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